worldcat:

endthymes:

pipilotti rist, ‘rainwoman (i am called a plant)’  1999; video & sound installation

As my professor would say, amazerblades

(via bryanasiobhan)

pppots:

Alice Aycock

Clay #2, 1971/2012. 
Clay mixed with water in wood frame. 16 elements, 48 x 48 x 6 inches each.
Installed at Los Angeles Museum of Contemporary Art, California for 
“Ends of the Earth: Land Art to 1974.”

Adam Gopnik echoes Anaïs Nin.

Bukowski would agree.

(via explore-blog)

(Source: , via explore-blog)

jkapla2:

Eva Hild and her amazing sculpting! 

mrgan:

“Work” icon

(via austinkleon)

lobocycle:

Amazingly simple but beautiful bicycle drawing machine by Joseph L Griffiths

(Source: majortaylortalk, via lesbibluntaboutit)

Wes Anderson | from overhead + hands

(Source: whitelaws, via ibegreatevil)

life:

In celebration of Women’s History Month, we present rare portraits by Margaret Bourke-White of female factory workers in World War II.

Pictured: Bernice Daunora, 31, a member of a steel mill’s “top gang” who must wear a “one-hour, lightweight breathing apparatus” as protection against gas escaping from blast furnaces, Gary, Ind., 1943.

(Margaret Bourke-White—Time & Life Pictures/Getty Images)

(Source: simply-quotes, via wine-loving-vagabond)

likeafieldmouse:

Lynda Benglis

(via ibegreatevil)

Pot Bank Workers.

Date: 1935 - 1939 (c.)

The saggar house at Maddock’s pot bank, Burslem, Stoke-on-Trent.

The workers in the picture are in the process of placing wares into saggars in preparation for firing.

Young members of the team put the ring of clay around the rim of the saggars. This ring of clay provided a seal went the flat lid was put on the saggar.

likeafieldmouse:

Fabienne Verdier

(via mahmoudtrees)

likeafieldmouse:

Richard Serra - Hand Catching Lead (1968)

GIF found at/made by gifmovie.tumblr.com

klehook-chmis:

“Within many tribes, masks have and continue to serve an important purpose. Masks possess pluralistic function in their use for war, storytelling, relationship-building, and spirituality, to name a few. Masks are used in ceremonies to transcend place, time, and self-identity. Frequently, the masks are not masks at all but rather living and breathing entities…”

Naomi Bebo, Artist

Photo: David Young-Wolff

(via cwnerd12)