hismarmorealcalm:


Apse Temple of Venus
Bust wrapped for winter 
Stowe Landscape Gardens
Buckinghamshire
nationaltrust.org.uk

hismarmorealcalm:

Apse Temple of Venus
Bust wrapped for winter 
Stowe Landscape Gardens
Buckinghamshire
nationaltrust.org.uk
@1 month ago with 75 notes

Nose and lips of Akhenaten - New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C. Indurated limestone

Nose and lips of Akhenaten - New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C. Indurated limestone

(via isgandar)

@1 month ago with 1167 notes
hopelessceramix:

cihan karaca, sergilema

hopelessceramix:

cihan karaca, sergilema

(via fired-earth)

@1 month ago with 434 notes
explore-blog:

How Mendel’s genetics work, in vintage illustrations from the era of Youmans’s chemistry diagrams. 

explore-blog:

How Mendel’s genetics work, in vintage illustrations from the era of Youmans’s chemistry diagrams

(Source: )

@1 month ago with 1389 notes

"Where the spirit does not work with the hand, there is no art."

Leonardo da Vinci (via thingsandschemes)
@1 month ago with 45 notes
thisorderedchaos:

Joseph Kosuth, One and Three Chairs, 1965

thisorderedchaos:

Joseph Kosuth, One and Three Chairs, 1965

@1 month ago with 6 notes
artssake:

Toulouse-Lautrec in his studio

artssake:

Toulouse-Lautrec in his studio

@1 month ago with 40 notes
stirringupthemeltingpot:

Ai Weiwei, Colored Vases, 2006. Vases from the Neolithic age (5000–3000 BCE) and industrial paint; sizes between 10 x 9 in and 14.5 x 9.5 in.

stirringupthemeltingpot:

Ai Weiwei, Colored Vases, 2006. Vases from the Neolithic age (5000–3000 BCE) and industrial paint; sizes between 10 x 9 in and 14.5 x 9.5 in.

(via timebynumbers)

@1 month ago with 37 notes

mementomoriiv:

Kevin Francis Gray - Ghost Girl
I’ve seen this posted before, but I had never seen the face!

(via purplehairedfiend)

@1 month ago with 104925 notes

art21:

“To be working with my hands with the clay generates a stimulus in the brain. The connection between the brain and the breathing, and the sweating, and the time that you spend, and how you slow down thinking or you accelerate thinking—you generate the different aspects of thinking. When I feel that it should be ready is a quite subjective thing. The shape should represent what just happened before.”
—Gabriel Orozco

Gabriel Orozco, our current 100 Artists featured artist, is shown here in 2002 working at Le Chailloux La Tuilerie in France, a former brick factory converted into a ceramics studio. This scene is featured in the Art in the Twenty-First Century Season 2 episode, Loss & Desire (2003).

WATCH: Gabriel Orozco in Loss & Desire [available in the U.S. only] | Additional videos

IMAGES: Production stills from the Art in the Twenty-First Century Season 2 episode, Loss & Desire, 2003. Segment: Gabriel Orozco. © Art21, Inc. 2003.

(via shepps)

@1 month ago with 201 notes
loringtaoka:

Claudio Parmiggiani

loringtaoka:

Claudio Parmiggiani

@1 month ago with 31 notes
anthropologyyy:

 

Step On I ,1975 by Christian Herdeg 

anthropologyyy:

 

Step On I ,1975 by Christian Herdeg 

@1 month ago with 6653 notes

I hope to see you as one. I Galaxy.

This is a secret about myself translated back and forth from English through every language on Google Translate.

@1 month ago with 3 notes

"Being an artist now means to question the nature of art. If one is questioning the nature of painting, one cannot be questioning the nature of art. If an artist accepts painting (or sculpture) he is accepting the tradition that goes with it. That’s because the word art is general and the word painting is specific. Painting is a kind of art. If you make paintings you are already accepting (not questioning) the nature of art."

Joseph Kosuth, Art after Philosophy (via robertreset)
@1 month ago with 14 notes

(Source: herriottgrace.com, via auntmagda)

@1 month ago with 23 notes