Nose and lips of Akhenaten - New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C. Indurated limestone

Nose and lips of Akhenaten - New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C. Indurated limestone

(via isgandar)

@3 weeks ago with 1116 notes
hopelessceramix:

cihan karaca, sergilema

hopelessceramix:

cihan karaca, sergilema

(via fired-earth)

@3 weeks ago with 112 notes
explore-blog:

How Mendel’s genetics work, in vintage illustrations from the era of Youmans’s chemistry diagrams. 

explore-blog:

How Mendel’s genetics work, in vintage illustrations from the era of Youmans’s chemistry diagrams

(Source: )

@4 weeks ago with 1392 notes

"Where the spirit does not work with the hand, there is no art."

Leonardo da Vinci (via thingsandschemes)
@4 weeks ago with 45 notes
thisorderedchaos:

Joseph Kosuth, One and Three Chairs, 1965

thisorderedchaos:

Joseph Kosuth, One and Three Chairs, 1965

@1 month ago with 6 notes
artssake:

Toulouse-Lautrec in his studio

artssake:

Toulouse-Lautrec in his studio

@1 month ago with 40 notes
stirringupthemeltingpot:

Ai Weiwei, Colored Vases, 2006. Vases from the Neolithic age (5000–3000 BCE) and industrial paint; sizes between 10 x 9 in and 14.5 x 9.5 in.

stirringupthemeltingpot:

Ai Weiwei, Colored Vases, 2006. Vases from the Neolithic age (5000–3000 BCE) and industrial paint; sizes between 10 x 9 in and 14.5 x 9.5 in.

(via timebynumbers)

@1 month ago with 37 notes

austinkleon:

Jean Tinguely on ‘Art’

“Just guys doing things.”

(Thx, @rogre!)

@1 month ago with 363 notes

art21:

“To be working with my hands with the clay generates a stimulus in the brain. The connection between the brain and the breathing, and the sweating, and the time that you spend, and how you slow down thinking or you accelerate thinking—you generate the different aspects of thinking. When I feel that it should be ready is a quite subjective thing. The shape should represent what just happened before.”
—Gabriel Orozco

Gabriel Orozco, our current 100 Artists featured artist, is shown here in 2002 working at Le Chailloux La Tuilerie in France, a former brick factory converted into a ceramics studio. This scene is featured in the Art in the Twenty-First Century Season 2 episode, Loss & Desire (2003).

WATCH: Gabriel Orozco in Loss & Desire [available in the U.S. only] | Additional videos

IMAGES: Production stills from the Art in the Twenty-First Century Season 2 episode, Loss & Desire, 2003. Segment: Gabriel Orozco. © Art21, Inc. 2003.

(via shepps)

@3 weeks ago with 201 notes
loringtaoka:

Claudio Parmiggiani

loringtaoka:

Claudio Parmiggiani

@4 weeks ago with 31 notes
anthropologyyy:

 

Step On I ,1975 by Christian Herdeg 

anthropologyyy:

 

Step On I ,1975 by Christian Herdeg 

@4 weeks ago with 6605 notes

I hope to see you as one. I Galaxy.

This is a secret about myself translated back and forth from English through every language on Google Translate.

@1 month ago with 3 notes

"Being an artist now means to question the nature of art. If one is questioning the nature of painting, one cannot be questioning the nature of art. If an artist accepts painting (or sculpture) he is accepting the tradition that goes with it. That’s because the word art is general and the word painting is specific. Painting is a kind of art. If you make paintings you are already accepting (not questioning) the nature of art."

Joseph Kosuth, Art after Philosophy (via robertreset)
@1 month ago with 11 notes

(Source: herriottgrace.com, via auntmagda)

@1 month ago with 23 notes
hismarmorealcalm:

Béla Juszko (1877-1969) working on a bust of General George Henry Thomas

hismarmorealcalm:

Béla Juszko (1877-1969) working on a bust of General George Henry Thomas

@1 month ago with 11 notes